Charly 3D Tutors

  How to Bypass the 255 CV Limitation in Unreal Engine 5.3 Using Ornatrix in Maya In this video, I provide a detailed explanation of how to overcome the 255 CV point limit on curves in Unreal Engine (starting from version 5.3) using the capabilities of Ornatrix in Maya. This method enables the creation of complex hairstyles, such as dreadlocks, without compromising quality. This video is a response to a subscriber's question here: Telegram Post Links mentioned in the video: Limits for creating fur in Unreal 5 | How to solve? Strand Length and CV Points - UE 5.2 vs 5.3 - Answered Become a channel sponsor and get a 15%, 50%, 100% discount on all my assets. It's enough to do it here . Also, if this is your first time on this channel, I recommend watching its trailer . WHO AM I? Hi, I'm Andrew Krivulya Charly, a 3d-groom artist since 2016. New works can be viewed here . I worked on environment art, interiors, and more from 2009 to 2016. Check out some of my old...

  Are you looking for a way to make fur or hair come alive with color? Then look no further! This video will guide you step-by-step on how to apply color to your fur or hair with Octane and Ornatrix for 3ds Max. I'll provide you with an in-depth look at color painting directly on hair and show you the best way to use Octane and Ornatrix 3ds Max together to achieve stunning results - all in a simple, easy-to-follow format. By the end of the video, you'll have the knowledge and confidence to make your fur or hair look beautiful in renders! In this video, I'll explain two methods to achieve amazing results in transferring color to fur. I will demonstrate the method you already know from previous videos, and then I'll also show you an advanced technique with a special brush in Ornatrix to paint fur exactly where you want it. After that, I'll give a detailed tutorial on how to render it correctly in Octane with a special node. I also demonstrate how you can troubleshoo...

  In this video, I show a feature in Ornatrix Maya that subscribers have been asking for a very long time. It's the ability to animate hair without simulation - frame by frame. When you can change the shape somehow with any tools and set a key, then go to another frame and make more changes. After that, you interpolate the frames and get a smooth transition animation from one state to another.  Animation Cache and the new Record Frame button are used for this. --- The purpose of the series - quickly show something interesting and useful related to this plugin.  I do not spend time on the voiceover, as there are already basic lessons - which also need to do =) But since - I do not upload them very often, need to do something else - to grow the channel. --- Just a reminder that you can become a channel sponsor and get a 95% discount - on all my assets, voiceovers in another language, etc. It's enough to do it here Also, if this is your first time on this channel, I recommen...

  In this episode - I show the possibility of exporting Ornatrix groups - to any application. That is, if you work in Maya - you can export to 3ds Max or C4D. If in C4D - then in Maya/3ds Max, etc. Very handy when you want to save all settings by group in different modifiers. ---  CONTENTS: 0:00 - Showing that I already have different groups assigned in Ornatrix Maya. 0:13 - Making an export to Ornatrix Alembic. 0:40 - Selecting an axis for different applications. There is an error in the video. For C4D, also the Y axis. 1:52 - Importing into 3ds Max 2:28 - Import in Cinema4D. Just here you can see that the Z-axis does not fit. --- CHANNEL SUPPORT: If you like what I'm doing, I'd love any support from you: ➡️ Paypal ➡️ DonationAlert ---        OTHER LESSONS: ➡️Ornatrix Cinema 4D → https://bit.ly/3nVlJsk ➡️Ornatrix Maya → https://bit.ly/2HILywo ➡️Ornatrix 3ds Max → https://bit.ly/3nXZOAN ➡️Octane → http://bit.ly/2lG40u3 ➡️Arnold → http://bit.ly/2vproAV ➡️Red...

  In this video - I continue to show working with braids in Ornatrix.  This time - I show the same workflow about creating braids with MeshFromStrands and BraidTool modifiers, but only in Cinema 4D. With it - you can create procedural braids and draw them on the surface, at the same time - they will already have a UV, and if you want you can convert to real hair or haircards. In Cinema 4D, there is no Branching, just like in Maya. So if you want to create a few different braids, the approach is the same as there =)  The goal of the series is to quickly show something interesting and useful related to this plugin.  On the voiceover, I don't waste time, because there are already basic lessons - which also need to do =) But as - I do not upload them very often, I need to do something else - to develop the channel.  --- PATREON: If you want to get all the lessons with my voiceover as soon as possible, not wait years for each episode to come out, and also dive into t...

In this tutorial, I’ll show you how: → customize the toolbar for quick access to Redshift objects. → draw a wool texture in BodyPaint3D. → Add this texture to RS Hair Mtl. → make a gradient transition from the roots to the tips using the RS Hair Position. → dye wool with Maxon Noise in C4D → customize material for wool

In this tutorial, I’ll show you how: →  to create Ornatrix Hair from a preset in Cinema 4D →  to create realistic wool. → to enable the display of real-time wool with shadows and AO in Viewport using special material and the MeshFromStrands modifier. → to render the first WIP in Redshift IPR.      More tutorials: - Cinema 4D → http://bit.ly/2SmjjG4 - Redshift → http://bit.ly/2GrWRVB - Ornatrix → http://bit.ly/2klPh7r Ornatrix Playlist → http://bit.ly/2klPh7r   Ornatrix Cinema 4D original intro video → https://www.youtube.com/watch?v=eKUMBnOad-I Video Content: 0:00 - Greetings. The theme of the lesson. 0:27 - What is Ornatrix for Cinema4D? 1:07 - What to do while waiting for the next parts? What to watch? Recommendations. 1:49 - What is the difference between Ornatrix for Cinema 4D? 2:18 - About the new principle of Ornatrix tutorial series creation. 3:04 - First steps. How to create an Ornatrix object from a preset? 4:16 - Getti...

Creating a PBR tiled metal material from a single photo in Substance Alchemist and its rendering in Octane Render for 3ds Max.          In this video we will talk about how: - create tiled PBR material from an one photo - export it - import by using Substance Plugin - render by using Octane Render and 3ds Max         More tutorials: - Octane Render → http://bit.ly/2lG40u3 - 3ds Max → https://bit.ly/334KlVV - Substance Alchemist → http://bit.ly/2M9GOiP            Video Content: 0:00 - Information about the subtitles 0:05 - Tutorial theme 0:32 - About the texture with which we will work 0:56 - Creating PBR material in Substance Alchemist 4:28 - Equalizer filter to adjust the texture light and shadows 5:30 - Tiling Filter to create a tile texture. 7:33 - Dust Filter for dirt and dust. 8:37 - Paint Filter to create paint 10:01 - Rust Filter for rust effect 12:29 - Saving and exp...

Creation of frozen mountains. Part 3          In this part we will talk about how to: - create stylized clouds in Teya Conceptor - convert them to realistic ones inside Houdini - export them to Vdb format - import vbd into 3ds Max using VrayVolumeGrid     More tutorials with Teya Conceptor  → http://bit.ly/2lWbM2V

Creating a frozen mountains. Part 2.          In this part we will talk:  - about how to create material in Quixel Mixer, which includes different textures assigned by masks. - How to export all this material to Quixel Bridge and import into 3ds Max. - about how to render the landscape in FStorm and create a basic atmosphere, about which we will continue to talk in the 3rd part.

In this video, we will talk about the Car Paint shader in Redshift Render for 3ds Max.   As promised, I start to render the chapter about a Redshift Material, in which we will talk about the all parameters of each material in Redhisft Render. After the theory - there will definitely be practice. More Redshift tutorials  → http://bit.ly/2GrWRVB

Octane Render ORBx is a universal format which allows you to export or import everything in a special container that can be opened in any integration. This can be - animation, models, textures, lighting, render settings, cameras, Phoenix Fd simulation, Ornatrix, Forest Pack, etc.

A lesson about World Creator 2. Part 8. In this video, we will talk about the new World Creator 2.1.0 Other lessons in this playlist - https://clck.ru/FkmTx

Sculpting windows in 3D Coat for displacement maps in Quixel Mixer. In this video, I continue to show how to sculpt details for a displacement map in 3D Coat, as well as how to work with the new Curves tool.

Redshift Render tutorial about hair materials settings. Part 2. In this video we will talk about the setting of black, blue, gray, red, red hair, natural and dyed blonde, and also learn how to make a gradient overflow of different shades. Redshift playlist

SpeedTree Cinema 8. About collisions and clusters. Anchor Points and leaves on the branches texture. We talk about how to remove collisions and create clusters to optimize the tree for engines. Learn to adjust the growth of leaves on the texture with the branch and will add Anchor Points.

Phoenix FD is a powerful tool for VFX simulations from the ChaosGroup. In this video we will talk about simulations - water, beer, milk and coffee, as well as a V-Ray.Cloud render and prices there.

Redshift test on the new Forrender.com servers PAYPAL - https://www.paypal.me/artofcharly WEBMONEY-Z861481193973 PATREON - https://www.patreon.com/charlytuts Hello everyone! With you Krivulya Andrew aka Charly and I record this video about the update of our renderfarm Forrender.com We have 3 new GPU servers. 4 * 980Ti, 4 * 1080 and 4 * 1080Ti. In this video, I conduct a render test of my scene on 980Ti and 1080Ti, as well as the standard Redshift Benchmark. In the comments write wishes, questions, topics of lessons that you would like to see in new releases, etc etc